Weight training atmosphere and auditory focus
THIQUE JOURNAL // RESEARCH FEATURE 02

Does Music Change How You Train?

What happens when rhythm enters the weight room.

Walk into a weight room when the sound system is turned off, and the room feels immediately different.

The clank of cast iron is starker. The breathing is louder. The empty silence between sets stretches out. For decades, athletes and lifters have turned to headphones before approaching heavy barbells. A track is selected, the volume is adjusted, and a pulse begins before the first repetition is initiated.

We instinctively treat sound as an ergogenic aid—a mental catalyst to summon focus or push through fatigue.

But beneath everyday habits and personal playlist rituals, a more specific physiological question emerges: can auditory rhythm actually alter what happens to the human body during resistance exercise?

CHAPTER 01 // CULTURAL ASSUMPTION VS MEASUREMENT

Everyday Intuition vs. Empirical Measurement

In gym culture, the connection between aggressive music and high-output training is rarely questioned. It is taken for granted that high-tempo tracks stimulate arousal, elevate adrenaline, and improve workout quality.

Yet subjective perception during exercise frequently diverges from physiological measurement. Feeling more energized during a set does not automatically mean neuromuscular force output has increased, nor does it reveal how cardiac output and metabolic stress are being affected.

RESEARCH ORIGIN

This gap between cultural assumption and measurable physiological response led Muhammad Al Ghifari, an undergraduate researcher in the Music Department at Institut Seni Indonesia Yogyakarta, to investigate the relationship directly inside an active training facility.

CHAPTER 02 // EXPERIMENTAL PROTOCOL

The Methodology at Kurnia Jaya Gym Center

The investigation was conducted as an experimental field study at Kurnia Jaya Gym Center, evaluating 30 adult participants actively engaged in regular weight training.

To measure the effects of auditory stimulation under realistic conditions, the study utilized a pre-test and post-test experimental design, comparing participants under two distinct scenarios: performing resistance training accompanied by Electronic Dance Music (EDM) with an average tempo above 100 BPM, and performing identical training sessions in complete silence without music.

Rather than relying solely on subjective self-reporting, the research tracked six distinct physiological and behavioral parameters across both cohorts: heart rate (detak jantung), pulse rate (denyut nadi), systolic and diastolic blood pressure (tekanan darah), blood oxygen saturation (SpO2), body temperature (suhu tubuh), and total training duration (durasi latihan).

01 // PARAMETER

Cardiovascular Response

Heart rate, pulse rate, and blood pressure measured pre- and post-session.

02 // PARAMETER

Oxygen & Temperature

Blood oxygen saturation (SpO2) and body temperature measured across trials.

03 // PARAMETER

Training Duration

Total elapsed workout duration sustained under each test condition.

CHAPTER 03 // FACTUAL FINDINGS

What the Data Observed—and What It Didn't

The empirical findings demonstrated measurable physiological shifts when participants trained to high-tempo EDM. Heart rate, pulse rate, and blood pressure all exhibited significant upward trends in the music condition compared to non-music sessions.

Interestingly, blood oxygen saturation (SpO2) and body core temperature showed no statistically significant differences between the two groups, indicating that the elevated cardiovascular stimulation did not induce acute systemic hypoxia or abnormal thermal strain.

Crucially, the research documented a behavioral outcome: participants accompanied by high-tempo EDM consistently maintained longer training session durations, sustaining volume before fatigue concluded the workout.

It is equally essential to note the boundaries of these findings: this undergraduate thesis does not claim that music directly multiplies absolute one-rep max strength or fundamentally alters skeletal muscle recruitment. Rather, it reveals that tempo acts as a potent autonomic and behavioral modulator—accelerating cardiovascular priming while extending the duration an athlete is willing to train.

CHAPTER 04 // EDITORIAL PERSPECTIVE

Rhythm, Perception, and Psychological Pacing

Beyond the laboratory measurements, the findings shed light on the broader human psychology of training. When rhythm enters the room, it acts as an external pacemaker for the central nervous system.

Auditory cues above 100 BPM provide a continuous temporal grid. During strenuous repetitions, a driving tempo can narrow attentional focus, masking internal sensations of peripheral muscular discomfort and shifting subjective rate of perceived exertion.

Selecting a specific song before a demanding set is less about chemical miracles and more about ritual: an intentional sensory transition from the passive world outside to the deliberate physical effort of the barbell.

CHAPTER 05 // SENSORY ARCHITECTURE

The Architecture of Sound in the Weight Room

Training spaces are shaped by far more than steel plates, rubber flooring, and barbell knurling. The auditory environment is an active architectural element that dictates how energy moves through a room.

Music does not need to promise magical strength gains to be meaningful. Instead, it serves as a bridge between mind and movement—a structured frequency that helps an athlete enter a state of unbroken focus, sustain effort through long sessions, and align the brain with the body.

Research Note & Academic Attribution
ORIGINAL UNDERGRADUATE THESIS TITLE

ā€œPengaruh Musik Edm Terhadap Performa Fisik Olahraga Angkat Beban di Kurnia Jaya Gym Centerā€

AUTHORMuhammad Al Ghifari (NIM: 19102080131)
INSTITUTIONInstitut Seni Indonesia Yogyakarta — Program Studi Musik
YEAR2024
ADVISORSKustap, S.Sn., M.Sn. & Annas Saadah, S.Sn., M.Sn.

This article is an editorial research feature produced by the Thique Journal to explore the relationship between sound and physical training. It is based on the 2024 undergraduate thesis (skripsi) cited above and should not be cited as a peer-reviewed journal publication.

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